Traditional Modeling: Human Anatomy & Character

"Pike", 2012; 1/3 Scale (approximately 23" tall), Roma clay; Dynamic pose sculpted from life (working with a live model); Advanced study of anatomy for artists, with Andrew Cawrse of AnatomyTools.com

"Our Champion", 2011; 1/3 Scale (approximately 23" tall), Roma clay; Dynamic pose sculpted from life (working with a live model); Advanced study of anatomy for artists, with Andrew Cawrse of AnatomyTools.com In class, I felt that the pose was not enough to tell a story. I gave him a shield and a sword, and the wall that he is defending; as well as his expression - to show both anger and strength.

"Our Champion", 2011; 1/3 Scale (approximately 23" tall), Roma clay; Dynamic pose sculpted from life (working with a live model); Advanced study of anatomy for artists, with Andrew Cawrse of AnatomyTools.com In class, I felt that the pose was not enough to tell a story. I gave him a shield and a sword, and the wall that he is defending; as well as his expression - to show both anger and strength.

"Our Champion", 2011; 1/3 Scale (approximately 23" tall), Roma clay; Dynamic pose sculpted from life (working with a live model); Advanced study of anatomy for artists, with Andrew Cawrse of AnatomyTools.com In class, I felt that the pose was not enough to tell a story. I gave him a shield and a sword, and the wall that he is defending; as well as his expression - to show both anger and strength.

Male Bust, 2008; 11in x 5in, Chavant NSP Medium; Head and Figure Study

Male Bust, 2008; 11in x 5in, Chavant NSP Medium; Head and Figure Study

Male Bust, 2008; 11in x 5in, Chavant NSP Medium; Head and Figure Study

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Digital Modeling: Human & Character Design

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Digital Modeling: Animal & Creature

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Traditional Painting & Sketches

Figure Study - 2014; Oil paint on canvas board; Head and figure study of a live model in costume

Figure Study - 2012; Oil paint on canvas board; Head and figure study of a live model, using a limited color pallet.

Life drawing w/ Gallery Girls, 10-27-2013;

"Learning to Draw," 2013; Pen, Pencil, Paper, Some gouache; At the beginning of 2013, it became painfully clear that my drafting skills were significantly lagging behind my other technical abilities. I spent a semester at the Concept Design Academy (http://conceptdesignacad.com/), in Pasadena, intensely focused on developing sketching and drawing skills.

"Learning to Draw," 2013; Pen, Pencil, Paper, Some gouache; At the beginning of 2013, it became painfully clear that my drafting skills were significantly lagging behind my other technical abilities. I spent a semester at the Concept Design Academy (http://conceptdesignacad.com/), in Pasadena, intensely focused on developing sketching and drawing skills.

Tortoise at the LA Zoo, 2013; Study from my sketch book.

"Learning to Draw," 2013; White Pencil, Black Paper, Photoshop colors; At the beginning of 2013, it became painfully clear that my drafting skills were significantly lagging behind my other technical abilities. I spent a semester at the Concept Design Academy (http://conceptdesignacad.com/), in Pasadena, intensely focused on developing sketching and drawing skills.